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An excellent reference set.
Superb COLOR photographs (over 1250); Most informative!

A great scholar, unparralled in the field
Brother can you lend me.....

Impressionism in criticism...travel at your own risk...a volume of collected (previously published) essays
along with an essay on "Winckelmann", a Preface, and
a Conclusion was [and perhaps still is] an extremely
influential work of aesthetic criticism. The volume
helped shape [influence] the perceptions, the
attitudes, and the approaches of many youthful readers
in the late 1880's and 1890's. It is very interesting
to read, immensely engaging to consider and muse about,
but also offers cautions to the overenthusiastic,
easily influenced [or persuaded] disciple.
This volume consists of an Introduction [by the
editor, Adam Philips], a Preface [by Pater], 9 chapters,
and a Conclusion (in this particular edition
by Oxford Classics there is also a chronology, a
Selective Bibliography, an Appendix titled "Diaphaneite,"
and Explanatory Notes in the back. The chapter titles
(after Pater's Preface) are: Two Early French Stories;
Pico Della Mirandola; Sandro Botticelli; Luca Della
Robbia; The Poetry of Michelangelo; Leonardo da Vinci;
The School of Giorgione, Joachim Du Bellay; Winckelmann;
and Conclusion.
* * * * * * * * * *
What's the problem here? Well, unfortunately, Pater
is not completely reliable as an objective perceiver
or critic. He tends to be a bit eccentric in his
individualistic perceptions and interpretations of
the art works, but he goes ahead and defends this
approach in a very "modern" sounding fashion --
which seems to include a bit of "situational perceptions,"
subjective impressions of perception and response,
and subjective criticism. Which makes for extremely
engaging [sometimes irritating] reading, but leaves
something to be desired as far as objective and
judicious thoughtfulness and truthfulness. Pater
seems to believe that it is acceptable to "bend"
or even create facts to further his own it-pleases-
me-to-think-that-this-is-or-should-be-so desires.
We know that we are on a slippery critical slope
[though it will sound all too familiar to modern
ears and modern apologetics] when the editor Phillips
informs us: "In Pater's first published writing, his
essay on Coleridge of 1866, he had suggested that --
'Modern thought is distinguished from ancient by its
cultivation of the "relative" spirit in place of the
"absolute" ... To the modern spirit nothing is, or
can be rightly known, except relatively and under
conditions." It doesn't take much time to realize
that such a critical position is going to lead to
an end-position of aesthetic, critical, and moral
relativism ("You can't tell me I'm wrong, because
there is no one set way of seeing, analyzing,
believing, or evaluating."-- the spoiled, indulged child's
self-justification for the validity of its own
ego supremacy and authority against that of any
parental or adult restrictions. Such a position usually
means a lack of any meaningful in-depth self questioning
or objective evaluating of personal motives, and a
welcoming of lack of restraints in the pursuit of
pleasure and non-self discipline. And this, of course,
is the critical negative refrain that often comes
against the decadent followers of Pater's credo.]
The second fall-out effect of Pater's evaluations
and pronouncements is that some of his disciples
[self-styled] went farther than even he was willing
to approve with their hedonism and purposefully
shocking lifestyles and "decadent" behaviors and
aesthetic appetites.
But it came from statements like this, which Pater
may have meant one way, but which their subjective,
individualistic perceptions took another way: "The
aesthetic critic, then, regards all the objects with
which he has to do, all works of art, and the fairer
forms of nature and human life, as powers or forces
producing PLEASURABLE SENSATIONS [caps are mine], each
of a more or less peculiar or unique kind. [We value
them --he says] for the property each has of affecting
one with a special, a unique, impression of pleasure.
Our education becomes complete in proportion as our
SUSCEPTIBILITY to these impressions increases -- in
depth and VARIETY."
Let the perceiver and the critic -- and the
experiencer -- proceed with extreme caution and good
judgment.
* * * * * * * * *
Pater and the Renaissance: Aesthetic Self-Helppeculiar way: although its evaluations are
quite wrong at times, particularly the chapter
on the School of Giorgione(if you care, check
out the edition with an introduction by
Kenneth Clark), Pater's Renaissance still
shines with the very same light that made it a
cult among Victorian youngmen.
The "gemstone flame", the pervasive feelings
of which Pater invited us to share have not
vanished (in spite of the attempts of the
so-called modern art), and the book's
invaluable lesson is that you simply
do not need a fancy objet d'art to see
what true beauty is all about.
So basically this is what I have to say: if
you have ever derived aesthetic pleasure from
anything at all in life, you should read this
little book tomorrow. If you never felt any
such pleasure, you must read The Renaissance
right now, or you'll simply let the good
things pass you by. I mean it.


Perfect for BeginnersI read a 250 page "textbook" on climbing, and only saw about 10% that I cared about right now. At this point I really don't want to know 75 different ways to wrap a rope around my body to rappel. (you know what I mean?) Teach me something fast, show me some good graphics. Get me started on the right foot! That's what this book does in spades.
The author's best use of pictures are to show both the right way and the wrong way to do something (like run rope through a 'biner). Also, I have done alot of equipment pricing over the past few days, and this book is DEAD ON when it comes to costs of climbing equipment and accessories.
This book is everything the beginner needs to start crawling up walls, just make sure you have a belay partner so you don't kill yourself. :-)
This book is great for beginning courses.

AWESOME!!!!!
It is an awesome love story.

A must for all sports people
injury free

It's GREAT!!!!
Very enjoyable read

Highly recommendedThe first moment Ben sees the picture of Emma's granddaughter, he's hooked. Just looking at Grace Montgomery's picture is enough to rev up his libido. So Ben travels to New York City, taking the apartment across the hall from Grace. When he sees Grace in person, his reaction is equally instant and intensive.
The sight of Ben in her hall sends Grace's adrenaline pumping. She has escaped to New York to experience life and discover her self-identity. A treat like Ben is just one of the perks of living away from home, even if she mostly watches from a distance. Ben adds spark and zing simply with his presence. Grace has had enough of men who wine and dine her for her connections and family money. She believes Ben to be different. He seems to let her know up front just who he is and what he wants. Little does Grace suspect Ben's connection to her grandmother.
Carly Phillips presents a highly seductive novel in SIMPLY SENSUAL. Her heroine lends the novel a marvelous sparkle with her spirit and spunk. Phillips also lends comic relief with Emma Montgomery, who is charming, refreshing, and addictive. I would love to see her matchmaking skills reoccur in another of Phillips' delightful romances! Highly recommended.
Delightful and steamy romanceFrom just a picture of Grace, Ben's libido explodes. When he meets the "Golden Princess," he realizes that he is more worried about protecting her from himself than from some thug. What he failed to count on is that a finally free Grace amazingly decides she wants to be Ben's woman and recklessly goes about insuring that happens.
SIMPLY SENSUAL is a fun to read contemporary romance. Ben and Grace make a sexy duo, while the upper class Emma provides humor as she performs matchmaking duties between the sleuth and her beloved granddaughter. Simply speaking, Carly Phillips makes reading a delight.
Harriet Klausner


I recommend it for anyone who grew up in the 40's and 50's
Like riding a Golden Palamino back to Yesterdays Saturdays.

Slipstream Rocked!
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